Inspiration
is the hardest thing by which there is to come. People ask me all
the time where I get my inspiration, and I really don't know what to
tell them. I see something or hear something and I write about it.
Sometimes I just feel like I have something to say. So I say it. If
I don't say it, then I'm likely to go insane. Go insane or
spontaneously combust—those are the two most likely options, I
figure. I don't want to find out though. So I say what I have to
say. I think it was Isaac Asimov, the science fiction writer, who
said something along the lines of “I write for the same reason I
breathe.” That's a fair statement, in my opinion.
My
poetry is almost entirely based in human emotions. I like to write a
lot of angry poems, typically ranting about some aspect of life.
Writing is a good way to express anger in a healthy way. It frees
your emotions; otherwise they're locked up inside until you blow up
on the wrong person. It still always helps to yell “FUCK” at the
top of your lungs sometimes though. Lock the car doors, roll up the
windows, turn down the radio, inhale, and let that four-letter word
flow from deep down. If you're leery about poetry, don't be. No one
ever said it has to rhyme; abstract and incomprehensible metaphors
are a thing of the past.
The
fiction I write is a different story. You'll find a plethora of
autobiographical references littered all throughout my fiction,
especially my longer fiction. I pick out traits from myself, my
friends, and my family and mold them into my characters. A
significant amount of the names I use are the names of actual people
in my life. My longer fiction though, all begins as a short story,
or at least an idea for what is intended to only be a short story.
Sometimes, the five pages just aren't enough. Sometimes even ten
pages isn't enough.
My
fiction is usually inspired by something I've seen or heard. I guess
if I'm going to generalize it, it would be music where I get most of
my inspiration. The first novel I started writing is called Birds,
after the song by Kate Nash. It was originally going to be a short
story based on the song “Ghost of Corporate Future” by Regina
Spektor, but it soon became more than that.
A
man walks out of his apartment,
It is raining, he's got no umbrella
He starts running beneath the awnings,
Trying to save his suit,
Trying to save his suit.
Trying to dry, and to dry, and to dry but no good
When he gets to the crowded subway platform,
He takes off both of his shoes
He steps right into somebody's fat loogie
And everyone who sees him says, "Ew."
Everyone who sees him says, "Ew."
It is raining, he's got no umbrella
He starts running beneath the awnings,
Trying to save his suit,
Trying to save his suit.
Trying to dry, and to dry, and to dry but no good
When he gets to the crowded subway platform,
He takes off both of his shoes
He steps right into somebody's fat loogie
And everyone who sees him says, "Ew."
Everyone who sees him says, "Ew."
That
was the initial basis. But I wanted to write something based on Kate
Nash's “Birds” too. So I fused all of the ideas together and
started a novel. It is still unfinished, something like 10,000
words, I think. I haven't worked on it much. Ironically, I've
lacked inspiration. It's a rom-com, I guess. I guess that's what
you'd call it. It's actually pretty unique. It tells two stories
simultaneously at the same time. Except the two stories about the
same two people: one when they first met as children and the other
when they reunite as adults. Rather than using flashbacks or telling
the story of their youth and then jumping several years forward, the
story alternates chapter to chapter. I think it's a pretty cool
concept. I hope the publishers do too.
Most
of my short stories are inspired by lines from songs too, I guess.
Or at least their names are derived from songs: “Some Weird Sin”,
“You Are My Best Friend (My Best Friend Is You)”, “...And There
Was a Kid with a Head Full of Doubt”, “Don't Go Revenging in My
Name”. Some are based on true events in my life though, like “This
is the Story of London”, “Thanksgiving in London”, and “The
Coaster”. Others are based on people: “You Can't Help But Be
Romantic (About Baseball)” being about slugger Jim Thome and based
on a quote from the film, Moneyball.
That one is another I'm working on turning into a novel. I would
like to be able to interview Mr. Thome myself for research, but so
far, no luck—just another rejection, but from a different kind of
agent this time. My completed novel, On
the 5:15,
is named after a song by The Who. It's based on a man I saw in a
documentary on Woodstock. A Belgian guy who is actually now a pretty
successful voice actor (I think he's a regular on South Park,
actually); he came to America and on his very first day, he went to
Woodstock. Incredible. His first day in America was at Woodstock.
That's a story that needs to be told, I thought. So I wrote it. My
character is Irish though, not Belgian. And he ends up owning a
record shop in Chicago, not providing voices to cartoon characters.
I
went to a Garrison Keillor book signing at Books and Co. in Dayton.
Someone asked Mr. Keillor about this very subject. He told the kid,
maybe a couple years younger than college freshman self at the time,
to find inspiration in the people he sees every day: “Their lives
will go unrecorded without you,” he said. That is a quote by which
I live. If you want to write, but don't know what to write, just
look around you. It's out there. Even if you live in a small town
of only 750 people, like me, it is out there. You'll know it when
you find it. Even the simplest of idea can create the most
magnificent of story—you just have to write it.
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